The session with Drew evolved naturally from one mood to another. He needed variety for his agency, so we started in downtown Orlando capturing those polished, commercial looks where the clean daylight did most of the work. What made the shoot interesting was the transition – moving from those structured urban scenes to the quieter, warmer bedroom setting where everything became more cinematic. I found myself giving him different emotional cues throughout, watching as he shifted between confidence and stillness. The final black backdrop shot was Drew’s idea – stripping everything back to just form and presence.